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LONDON — The creature of “Frankenstein,” or “The Modern Prometheus,” as the author Mary Shelley subtitled her 1818 masterpiece, is perhaps literature’s most misunderstood and misrepresented character: more an infantile outcast longing for love than a vengeful monster chased by pitchfork-wielding mobs. It is that misbegotten aspect that drew the choreographer Liam Scarlett to bring Shelley’s story to life in a full-length work for […]
